EMGRAMS
“I use materials and chemistry associated with traditional black and white photography, but my process is more akin to painting. Gelatin silver paper is my canvas, and my brush is a coherent light source that emits a single frequency of light.”
When Water Sings to the Moon-Diptych, 2024.
Where We Meet, 2024. 30x40.
Geometry’s Day Off, 2024. 30x40.
Getting Over The Back 50, 2024. 30x40.
Veils of Dusk, 2024. 10x12.
Sirens of the Infinite, 2024. 10x12.
Invisible Boundries of the Entwined-Diptych, 2021. 35x86.
Reverie of a Lucid Drift-Diptych, 2021. 35x86.
Ghosts of the Soft Spot-Diptych, 2021. 35x86.
Fragments of the Unsaid-diptych, 2020. 25x30.
Delicate Sound of Thunder-diptych, 2024.
Unspoken Agreement, 2022. 10x12.
Memory #26, 2024. 6x5.
Arriving at Non Locality, 2024. 14x28.
Within, 2021. 30x40.
When Shadows Gossip-Pentaptych, 2023_. 16x52sm.
MischiefHour, 2024. 10x16.
Bottomless Cocktail at the Fountain of Time, 2024. 35x45.
Memory #01_2022. 4x5.
Echos of the Fates, 2020. 6ftsm.
After Image, 2021. 24x28.
Confluence of Perception and Memory, 2021. 30x40.
Blurred Lines of Better Times, 2018. 30x40.
Quiet Revolution, 2021. 30x40.
Memory #03, 2022. 6x5.
Faustian Glimmer, 2022. 8x9.
Adam's Rib, 2021. 30x40.